Wednesday, July 28, 2010

Letter to my Best Friend

Sometimes I run across stuff in the bloggesphere and think - I want to do that! So I am taking up a 30 letter challenge.


The Thirty Letter Challenge basically requires you to write letters to 30 different people, or things, in your life. You can choose anybody, anything, you feel suits the prompter, and you can write it in whatever style or format you like. It doesn't have to be serious, and it doesn't necessarily get read by the people you address. Letter one is to your best friend.

Dear Best Friend,

Rock-Paper-Lizard-Spock

(The Big Bang Theory)


"Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist — a master — and that is what Auguste Rodin was — can look at an old woman, portray her exactly as she is… and force the viewer to see the pretty girl she used to be…. and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart…. no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired — but it does to them. Now here we have another emotional symbol — wrought with exquisite craftsmanship, but we won't go into that, yet. Ben, for almost three thousand years or longer, architects have designed buildings with columns shaped as female figures — it got to be such a habit that they did it as casually as a small boy steps on an ant. After all those centuries it took Rodin to see that this was work too heavy for a girl. But he didn't simply say, 'Look, you jerks, if you must design this way, make it a brawny male figure.' No, he showed it… and generalized the symbol. Here is this poor little caryatid who has tried — and failed, fallen under the load. She's a good girl — look at her face. Serious, unhappy at her failure, but not blaming anyone else, not even the gods… and still trying to shoulder her load, after she's crumpled under it. But she's more than good art denouncing some very bad art; she's a symbol for every woman who has ever tried to shoulder a load that was too heavy for her — over half the female population of this planet, living and dead, I would guess. But not alone women — this symbol is sexless. It means every man and every woman who ever lived who sweated out life in uncomplaining fortitude, whose courage wasn't even noticed until they crumpled under their loads. It's courage, Ben, and victory."

(Stranger in a Strange Land by Robert Heinlein)


"There is one purpose to life and only one: to bear witness to and understand as much as possible of the complexity of the world - it's beauty, it's mysteries, it's riddles. The more you understand, the more you look, the greater is your enjoyment of life and your sense of peace. If an activity is not grounded in "to love" or "to learn", it does not have value."

(Servant of the Bones by Anne Rice)


"Sometimes we let people treat us wrongly because we want to be loved and accepted so badly that we'd do anything for it. It hurts to know that no matter how much you try, how much you want it, they can't love or accept you as you are. Then you hate all that time you wasted trying to please them and wonder what it is about you that is so awful that they can't at least pretend to love you." (Night Play by Sherrilyn Kenyon)


Bethany asks about God:

Rufus: He still digs humanity, but it bothers Him to see the shit that gets carried out in His name - wars, bigotry, televangelism. But especially the factioning of all the religions. He said humanity took a good idea and, like always, built a belief structure on it.

Bethany: Having beliefs isn't good?

Rufus: I think it's better to have ideas. You can change an idea. Changing a belief is trickier. Life should malleable and progressive; working from idea to idea permits that. Beliefs anchor you to certain points and limit growth; new ideas can't generate. Life becomes stagnant.
(Dogma)


Pomade Vendor: I can get the part from Bristol. It'll take two weeks, here's your pomade.
Ulysses Everett McGill: Two weeks? That don't do me no good.
Pomade Vendor: Nearest Ford auto man's Bristol.
Ulysses Everett McGill: Hold on, I don't want this pomade. I want Dapper Dan.
Pomade Vendor: I don't carry Dapper Dan, I carry Fop.
Ulysses Everett McGill: Well, I don't want Fop, goddamn it! I'm a Dapper Dan man!
Pomade Vendor: Watch your language, young feller, this is a public market. Now if you want Dapper Dan, I can order it for you, have it in a couple of weeks.
Ulysses Everett McGill: Well, ain't this place a geographical oddity. Two weeks from everywhere!
(O Brother Where Art Thou?)


The Bible did not arrive by fax from heaven…The Bible is the product of man, my dear. Not of God. The Bible did not fall magically from the clouds. Man created it as a historical record of tumultuous times, and it has evolved through countless
translations, additions, and revisions. History has never had a definitive version of the book.
(Dr. Langdon in The Di Vinci Code)


Dr. Meredith Grey: Maybe we like the pain. Maybe we're wired that way. Because without it, I don't know; maybe we just wouldn't feel real. What's that saying? Why do I keep hitting myself with a hammer? Because it feels so good when I stop.
(Grey's Anatomy)


Bill: As you know, l'm quite keen on comic books. Especially the ones about superheroes. I find the whole mythology surrounding superheroes fascinating. Take my favorite superhero, Superman. Not a great comic book. Not particularly well-drawn. But the mythology... The mythology is not only great, it's unique.
The Bride: [who still has a needle in her leg] How long does this shit take to go into effect?
Bill: About two minutes, just long enough for me to finish my point. Now, a staple of the superhero mythology is, there's the superhero and there's the alter ego. Batman is actually Bruce Wayne, Spider-Man is actually Peter Parker. When that character wakes up in the morning, he's Peter Parker. He has to put on a costume to become Spider-Man. And it is in that characteristic Superman stands alone. Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
(Bill's speech in Kill Bill Vol. 2)


I love you best friend. For every reason above and for a million inside jokes, laughing hysterically about everything and nothing all at the same time. I love you for the lyric from Blue October's Hate Me: "You made me compliment myself when it was way to hard to take" and Massive Attacks Heartbeats "Love, love, is a verb, love is a doing word" and I love you for taking a temper tantrum insult and owning it.


This goes out to you, my One Eyed Gimp, my best friend.

"And that's all I got to say about that." (Forrest Gump)

Lily

Source: http://liliumsrealm2.blogspot.com/2010/07/letter-to-my-best-friend.html


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